1544 Sword

1544) EXCEPTIONAL AND RARE TWO-HAND DECORATED GERMAN FIGHTING SWORD CIRCA 1500: With original wooden grips, a Passau wolf, and a cross and orb inlaid on the blade. This is a war sword made for a wealthy person who could afford the best.

Comparables: A near-identical example in the world famous Spitzer collection, catalog lot # 171, June 1895.

Introduction: There is a very big difference between a war sword and a ceremonial or parade sword. Ceremonial/parade swords are primarily intended for religious, court, parades, and other social functions and not for fighting. Ceremonial/parade swords tend to be very large, not balanced, and heavy, therefore difficult to swing. These swords are not utilitarian weapons of war. They were not intended for fighting.   Many people incorrectly think two-hand war swords are heavy. The truth is they are not. A fighting two-hand fighting sword typically weighs anywhere from five to seven pounds. Ceremonial/parade swords are much heavier because they are carried for display and for a short period of time. Fighting two-hand swords have a sleek design, which removes all unnecessary weight (i.e., fuller on the blade). They are balanced with a large pommel (counterweight) and are powered by the perfectly aligned muscles of the knights swinging them from years of training. Coordinating body weight into the strike is of paramount importance for maximum penetration, control, and impact. Most battles lasted hours. If swords were heavy and/or incorrectly balanced, it would be almost impossible for anyone to continue to swing their sword for that long a period of time.

Discussion: A two-hand sword, by definition, is a sword designed to be used with two hands for maximum effectiveness. Styles of swords can vary by nationality. Two-hand swords were widespread both in the field and in the lists from the mid-15th to the early 17th century. However, from the latter part of the 16th century, they increasingly tended to be employed in ceremonial and parade rolls. Two-hand swords did not develop until about the same period as plate armor. As furnaces got bigger in Medieval Europe, steel billets (solid blocks of steel) accordingly increased in size. With bigger billets, swords could now be made with fewer (but larger) homogeneous steel billets, eventually reaching the peak of one billet per sword. Larger furnaces generally meant higher temperatures which, combined with homogeneous billets, would result in better steel, steel strong enough to create bigger, stronger blades. It has been suggested that the earliest references to the use of the two-hand sword are those found in a French copy of the Romance of Alexander of about 1180, which mentions a “bone espée a II espieus molus,” and in the chronicle of Guillaume Guiart, written in the period 1304-1307, which notes that the French, when fighting the Germans in 1264, had to adjust their tactics “Car les deux mains en haute levées/ Giètent d’unes longues espées.” More certain evidence of the use of the two-hand sword is provided by Jean Froissart (1337–1410), who, when writing his chronicles of the year 1358, noted that the Canon de Robesart “tenoit une espée a II mains, dont il donnoit les horions si grands que nul les osoit attendre,” while Bertrand du Guesclin (circa 1320- 1380) recorded in his chronicle that Oliver de Manny carried “d’une espée a II mains” (J. Hewitt, Ancient Armour and Weapons, Vol. II, London, 1855, p. 256).

Description:  Its construction consists of a two-sided blade of flattened hexagonal shape, a Passau wolf, and a cross and orb inlaid on the blade. three deep central fullers originate at the quillon block and extend about a third of the length of the blade. Quillon block in chevron shape with three hash lines, an Oakeshott conical pommel Style T with zig-zag linear decoration, a large original wooden grip of two-stage “hock bottle” form, an octagonal shaped guard with tips swelling in conical form and decorated en suite with the pommel. Total length: 54.5 inches.
Conclusion: This war sword is in good condition; however, the blade was stored in its sheath for several generations, and the blade has suffered slightly. However, it’s almost not noticeable because of the brute power that this sword displays from its size and superb construction. Collectors love two-hand swords like this one; they are big, elegant, easy to display, and make a powerful statement. This sword is as beautiful as any processional sword however was conceived as a weapon of war. It’s a great addition to any collection or museum. The owner priced it to sell quickly. This is a rare opportunity to own a piece of medieval/Renaissance military history. ACT NOW!!!*
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